Natsuki Takauji and Haskul Lee show us that diversity, through use of the phonetic alphabet, can unify all names, all cultures, all lives. As a result, we pronounce each name as it is meant to be pronounced, eliminating any doubt or intimidation when faced with diverse linguistic obstacles, such as differing writing systems.

Dukiewicz’s exhibition displays remnants of a prospective post-nuclear disaster, laid before our eyes for peaceful contemplation. Frozen here, in space and time, is the explosive relationship between humanity and technology.

The exhibition OUTER ORBIT/OUT OF ORBIT, curated by Priska Juschka, immediately arrests one's attention with the varying shapes of images displayed. Circles, diamonds, diptychs, triptychs and polyptychs become our celestial procession into the experience of, and beyond, the infinite.

The mind, with its many levels of consciousness, could be considered a black hole. Indeed, the fictitious actress Cassandra Way of Hope's Horizon, who offers a disclaimer in a commercial, "I'm not an expert in black holes," alerts us to the metaphysical underpinnings of Rosemary Warren’s video.

Meret Oppenheim was many things, many artists, many abilities. She was not just the creator of the famous fur-covered cup, saucer, and spoon, aka, Object (1936). She was not only the surrealist we know today. She had a history, a personal artistic evolution: as a profound individual, a champion and inspiration for women artists everywhere.