The Governed Body
Laia Abril’s On Abortion at the Museum of Sex
On Abortion and the Repercussions of Lack of Access, A History of Misogyny Part 1,
Laia Abril, Museum of Sex, February 7 – October 15, 2020
Amidst a heightened carnival-esque atmosphere at the Museum of Sex, with its newly installed SuperFunLand interactive installation and glitzy yet text-heavy Cam Life and Stag: The Illicit Origins of Pornographic Film shows, is a sobering gem of an exhibition. On Abortion and the Repercussions of Lack of Access deploys text viscerally, connecting us to real women’s abortion stories.
Through a well-researched, global feminist, anthropological lens, Museum of Sex Curator Lissa Rivera presents Spanish artist Laia Abril’s On Abortion. Abril, a former journalist and acclaimed photographer, shares stories primarily through photos and written text combined, centering “herstories” along with the actual medical tools and equipment used for unauthorized abortions, including an ominous antique wooden abortion chair. Visitors get to explore international abortion history and currents for a snapshot of the violent public health crisis that would surely ensue in the U.S. if women lose their right to choose. I visited the exhibition on Valentine’s Day, and observed viewers, many of them young couples, taking their time to digest the stark, arresting truth.
Many of us are angered and terrified by the vivid threat of Roe v. Wade, the 1973 landmark Supreme Court ruling asserting a woman’s right to choose abortion without excessive government restriction, being overturned. Our current conservative Supreme Court passed the pro-life tipping point with Donald Trump’s nomination of Brett Kavanaugh in 2018.
On Abortion examines what happens when the patriarchy exerts its power over what a woman chooses to do with her own body — presenting as an unholy trinity of church, state, and often the sexual partner of the woman seeking an abortion. Worldwide, governments can decide whether a womb-holder lives or dies, is jailed or tortured, forced to give birth or forced to abort. The state can decide which reasons for terminating a pregnancy are acceptable and which are not. Religions instill fear, deem abortion to be tantamount to murder, and value fetal life over the lives of women.
I have selected a few of the stories directly quoted here from the exhibition that highlight varied acts of abortion-related violence against women. These are the stories I can’t get out of my mind:
Many countries, including Paraguay, Guatemala, Honduras, Venezuela, Somalia, Congo, Egypt, Iran and Lebanon do not consider rape a legitimate reason and only permit abortion when the woman’s life is at risk. Stricter laws apply in Nicaragua, El Salvador, the Dominican Republic, Malta and The Vatican, the five nations in the world where abortion is prohibited under any circumstance.
So where does this all leave us? My mother always reminds me that Roe v. Wade was a decision she and her generation fought long and hard for. Back in her heyday, there was no birth control, she grew up Catholic, and she lived in mortal fear of pregnancy, until finally she got married. How do we womb-holders maintain our power to choose safe and legal abortion without interference from church and state and yes, even our sexual partners? “Our Bodies, Our Choice” means so much more after contemplating the specific struggles women are currently facing worldwide. It’s not “this could be us,” this is US. We are Inocencia, Saint Gianna Beretta Molla, Philomena, Marta, GYL, Tal, and Christine. Our lives are sacred and we need to stand in solidarity: the time is now.